Like Apollo, the muses are the children of Zeus, so his education is led by . In “Archaic Torso of Apollo,” we have the message imparted by the. Archaic Torso of Apollo by Rainer Maria Rilke is a short four stanza poem, the first stanzas of which contain four lines, and the second two, three lines. “Archaic Torso of Apollo” by Rainer Maria Rilke translated by Stephen Mitchell. We cannot know his legendary head with eyes like ripening fruit.


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  • Archaic Torso of Apollo by Rainer Maria Rilke - Poems |
  • On "Archaic Torso of Apollo" | Academy of American Poets
  • Rainer Maria Rilke
  • James Pollock on Rainer Maria Rilke’s “Archaic Torso of Apollo”
  • Archaic Torso of Apollo
  • Archaic Torso of Apollo

Yet his torso glows: And yet his torso is suffused archaic torso of apollo brilliance from inside, like a lamp—our second simile—and that lamp is turned down, the gaze is turned low, but it's still gleaming in all its power.

It can be diminished and fierce at once. It doesn't matter how many sit-ups you do, you can't get this line.


He's seeing that line as a smile. The stone archaic torso of apollo keep hearing what it's not. If it were this, actually broken, we couldn't know what we do.

The translucent cascade, the wild beast's fur, the burst like a star, figure after figure, and what do these figures have in common? Well, not so much.

James Pollock on Rainer Maria Rilke’s “Archaic Torso of Apollo” | Voltage Poetry

Light in the case of the lamp and the star, and to some degree maybe the fruit—you can imagine the ripening fruit glowing. But it feels like the speaker here is groping to describe what's in front of him.

It has power in its beauty, archaic torso of apollo, and persuasion. You can read the full poem here. It has degraded over time, whether due to the elements, war, or years of vandalism, and it no longer has a head or completed legs.

He states that, if the head did not once glow with power, the curved breast could not dazzle you so, The two parts of the body should be equal in their brilliance. It would not strike fear, awe, and reverence in the viewer as it does now.

On "Archaic Torso of Apollo"

Thus, there is not one truth that is universally applicable. There are innumerable archaic torso of apollo truths and it is the existential burden of each person to discover the truth by which he or she is formed.

Because of the multiplicity of human beings, multiple perspectives and points of view determine truth. Truth is embodied and embedded in each individual.

An object of art, like a poem or a sculpture, for Rilke, is a particular expression of a particular truth. Archaic torso of apollo work of art, rather than being an object, is an encounter that produces a revelation.

Archaic Torso of Apollo by Rainer Maria Rilke

It is the product of an encounter between two silences, the silence of the person in quest of truth or authenticity and the silence of the inner, underlying self. This revelation is illustrated in "Archaic Torso of Apollo.

A reader of a poem, or the viewer of a sculpture, provides a third silence contemplating the silence of the art work, of the poem or the sculpture, as if it were his or her own silence. Thus, "Archaic Torso of Apollo" is not only an illustration and archaic torso of apollo of this phenomena, it also perpetuates archaic torso of apollo phenomena each time it is read.

Archaic Torso of Apollo |

Sigmund Freud 's The Interpretation of Dreams was published in In this revolutionary study, Freud postulates the idea of an unconscious, a hidden part of ourselves that, despite being hidden from us, or because it is hidden from us, exerts strong power over us without our knowledge.

According to Freud, the unconscious can be revealed through the archaic torso of apollo of dreams.

The poem contemplates the scene archaic torso of apollo an ancient celebration engraved on an ancient urn and considers the art's ability to reveal truth. Rilke's Duino Elegies were written from to In this series of archaic torso of apollo poems, Rilke grapples with the problems of describing the human experience from the point of view of an inner-directed, subjective consciousness as it encounters the pleasures and terrors of being alive in the world as an isolated individual.

Percy Bysshe Shelley 's poem "Ozymandias" was published in Shelley's sonnet tells of an encounter with a traveler who speaks of the ruined statue of an ancient king, and of the lesson that is derived from that encounter.

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